William Kienbusch (1914-1980)
William Kienbusch was born in New York City on April 13, 1914. A magna cum laude graduate of Princeton University, Kienbusch studied at the Art Students League, the Colorado Springs Fine Arts Center, the Academy Colarossi, and with Abraham Rattner in Paris. Despite additional work with Anton Refregier and Stuart Davis, Kienbusch did not find his true identity as an artist until he spent the summers of 1940 and 1941 in Stonington, Maine. There he discovered the powerful Maine landscape that had attracted Winslow Homer, John Marin, and Marsden Hartley. Hartley's work, especially, provided a stylistic model, and his desire to express the "inner reality of the world of nature" coincided with Kienbusch's own feelings. Best known for semi-abstract landscapes, Kienbusch spent summers photographing and sketching the pine trees, buoys, and shacks of the Maine coast, and during the winter months, while teaching at the Brooklyn Museum School, translated his summer's work into geometrically formulated landscapes. During the 1960s Kienbusch adopted a looser technique to capture better the dynamic rhythms of natural forces.
Kienbusch has shown at the Art Institute of Chicago, the Museum of Modern Art, and the Whitney Museum of American Art.
Kienbusch died in New York City after a short illness in 1980.
Sources: Smithsonian Institution (https://americanart.si.edu/artist/william-kienbusch-2618) and Askart.com (https://www.askart.com/artist/William_Austin_Kienbusch/30861/William_Austin_Kienbusch.aspx)